Carafe 1710, Flindari, Nanny Still, Riihimäen Lasi
Carafe 1710, Flindari, Nanny Still, Riihimäen Lasi
SKU:812105
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The Details
Designer: Nanny Still
Object: Carafe
Model: 1710
Series: Flindari
Manufacturer: Riihimäen Lasi
Period of Manufacture: 1964-1968
Material: Glass
Technique: Mould-blowing
Color: Green
Width: 150 mm
Length: 50 mm
Height: 170-225 mm
Weight: 690 g
Capacity: 50 cl
Condition: Excellent condition with minimal signs of wear.
Signed: Unsigned (As Issued)
Numbered: Unnumbered
Keyword: Finnish design.
The Story
Nanny Still’s 1964 "Flindari" (model 1710) for Riihimäen Lasi is a sculptural icon of 1960s Finnish glass art. The embossed texture of the items gives the glass surface a vibrant, tactile quality and highlights their artistic uniqueness. Due to Nanny Still’s international acclaim, the timeless style of the design, and the rarity of complete sets, this piece offers collectors long-term investment value. This technically complex series emerged during an era of bold experimentation with surface patterns to enrich everyday objects. Each carafe includes a hand-ground spherical stopper tailored specifically to fit, making complete pieces highly coveted. It is a striking addition to any design collection, embodying the craftsmanship of the golden age of Finnish glass.
Delivery & Returns
- Delivery within 3-8 working days
- 14 days return
Share the Heritage

Nanny Still
Nanny Elisabet Still McKinney (1926–2009). One of Finland's most celebrated glass designers, Nanny Still transformed Scandinavian glass with her fearless creativity, vibrant colours and remarkable technical skill. After graduating from the Institute of Industrial Arts in Helsinki in 1949, she won Riihimäen Lasi's Nordic design competition and immediately joined the factory's design team, where she remained for more than twenty-five years. Among the first women to establish a successful career in Finnish glass design, Still created both elegant everyday glassware and highly sculptural art glass, constantly pushing the possibilities of the material. Her best-known collections - including Grapponia, Harlekiini and Flindari - combined bold forms, rich colours and exceptional craftsmanship, while later works explored increasingly experimental sculptural techniques such as pâte de verre. After moving to Brussels in 1959, she continued designing internationally, particularly for Rosenthal in Germany, while maintaining her reputation as one of Finland's leading glass artists. Today, her work is admired worldwide for its originality, technical innovation and enduring influence on modern glass design.
(Nanny Still photo: Helsingin Sanomat)