Pitcher and Glass, T/335, Nanny Still, Riihimäen Lasi
Pitcher and Glass, T/335, Nanny Still, Riihimäen Lasi
The Details
Designer: Nanny Still
Object: Pitcher and Glass
Model: T/335
Series: Standalone piece
Manufacturer: Riihimäen Lasi
Period of Manufacture: 1950-1966
Material: Glass
Technique: Free-blowing, Rotary-blown
Color: Green
Width: Pitcher 111 mm / Glass 65 mm
Length: Pitcher 111 mm / Glass 65 mm
Height: Pitcher 355 mm / Glass 115 mm
Weight: Pitcher 1215 g / Glass 125 g
Capacity: Pitcher 125 cl / Glass 12 cl
Condition: Excellent condition with minimal signs of wear.
Signed: Unsigned (As Issued)
Numbered: Unnumbered
Keyword: The set includes 1 pitcher and 6 glasses. Scandinavian design, Finnish glass.
The Story
Designed by Finnish glass artist Nanny Still, the T/335 was produced by Riihimäen Lasi from 1950 to 1966. Made in blue-green glass, it reflects Still's talent for bringing character and elegance to functional tableware. The set combines a tall, slender pitcher with six small stemmed glasses. The rich turquoise-green glass gives the pieces a distinctive presence, while the rotation-blown technique adds a sense of lightness and subtle variation to the glass. Still's T/335 is a fine example of her ability to turn everyday objects into carefully considered pieces of design. It captures the clarity and simplicity that define much of Finnish glassware from the mid-20th century. A distinctive piece for collectors of Nanny Still and Finnish glass design.
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SKU:868594s6
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Nanny Still
Nanny Elisabet Still McKinney (1926–2009). One of Finland's most celebrated glass designers, Nanny Still transformed Scandinavian glass with her fearless creativity, vibrant colours and remarkable technical skill. After graduating from the Institute of Industrial Arts in Helsinki in 1949, she won Riihimäen Lasi's Nordic design competition and immediately joined the factory's design team, where she remained for more than twenty-five years. Among the first women to establish a successful career in Finnish glass design, Still created both elegant everyday glassware and highly sculptural art glass, constantly pushing the possibilities of the material. Her best-known collections - including Grapponia, Harlekiini and Flindari - combined bold forms, rich colours and exceptional craftsmanship, while later works explored increasingly experimental sculptural techniques such as pâte de verre. After moving to Brussels in 1959, she continued designing internationally, particularly for Rosenthal in Germany, while maintaining her reputation as one of Finland's leading glass artists. Today, her work is admired worldwide for its originality, technical innovation and enduring influence on modern glass design.
(Photo source: Helsingin Sanomat)





