Pitcher 1743, Harlekiini, Nanny Still, Riihimäen Lasi
Pitcher 1743, Harlekiini, Nanny Still, Riihimäen Lasi
SKU:875433
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The Details
Designer: Nanny Still
Object: Pitcher
Model: 1743
Series: Harlekiini
Manufacturer: Riihimäen Lasi
Period of Manufacture: 1959-1968
Material: Glass
Technique: Free-blowing
Color: Blue
Width: 85 mm
Length: 85 mm
Height: 365 mm
Weight: 896 g
Capacity: 150 cl
Condition: Excellent condition with minimal signs of wear.
Signed: Unsigned (As Issued)
Numbered: Unnumbered
Keyword: Finnish design.
The Story
Designed by Nanny Still for Riihimäen Lasi, the Harlekiini series was introduced in the late 1950s and became one of Still's most recognisable designs. Model 1743 combines a tall, slender silhouette with a distinctive angled rim and contrasting clear handle, giving the pitcher a strong sculptural character. The pitcher was free-blown, reflecting the traditional glassmaking skills that remained central to Riihimäen Lasi's production even as the factory increasingly embraced industrial manufacturing. Produced from the late 1950s through the 1960s, the pitcher demonstrates Still's ability to turn a functional vessel into an expressive piece of art glass. With its distinctive silhouette, vibrant colour and connection to Nanny Still's celebrated Harlekiini series, this pitcher is highly sought after by collectors worldwide.
Delivery & Returns
- Delivery within 3-8 working days
- 14 days return
Share the Heritage

Nanny Still
Nanny Elisabet Still McKinney (1926–2009). One of Finland's most celebrated glass designers, Nanny Still transformed Scandinavian glass with her fearless creativity, vibrant colours and remarkable technical skill. After graduating from the Institute of Industrial Arts in Helsinki in 1949, she won Riihimäen Lasi's Nordic design competition and immediately joined the factory's design team, where she remained for more than twenty-five years. Among the first women to establish a successful career in Finnish glass design, Still created both elegant everyday glassware and highly sculptural art glass, constantly pushing the possibilities of the material. Her best-known collections - including Grapponia, Harlekiini and Flindari - combined bold forms, rich colours and exceptional craftsmanship, while later works explored increasingly experimental sculptural techniques such as pâte de verre. After moving to Brussels in 1959, she continued designing internationally, particularly for Rosenthal in Germany, while maintaining her reputation as one of Finland's leading glass artists. Today, her work is admired worldwide for its originality, technical innovation and enduring influence on modern glass design.
(Nanny Still photo: Helsingin Sanomat)