Decorative bottle 1789, Tzarina, Nanny Still, Riihimäen Lasi
Decorative bottle 1789, Tzarina, Nanny Still, Riihimäen Lasi
SKU:800088
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The Details
Designer: Nanny Still
Object: Decorative bottle / Art glass
Model: 1789
Series: Tzarina
Manufacturer: Riihimäen Lasi
Period of Manufacture: 1964-1965
Material: Glass
Technique: Free-blowing
Color: Pink, clear
Width: 62 mm
Length: 62 mm
Height: 176-220 mm
Weight: 170 g
Condition: Excellent condition with minimal signs of wear.
Signed: Unsigned (As Issued)
Numbered: Unnumbered
Keyword: Finnish design.
The Story
Designed by Nanny Still in 1964–1965 for the Riihimäen Lasi factory, the "Tzarina" (model 1789) is a decorative bottle made of free-blown glass. This piece is a valuable addition to any collection, offering a stable investment value as part of the master traditions of Finnish glass art. Reflecting Still’s design style, the conical body is balanced by a stopper consisting of three glass spheres, adding a vertical emphasis to the object. For this model, the designer focused on the transparency of the material and the precise proportions of geometric shapes, combining technical glassblowing expertise with a considered visual composition.
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Share the Heritage

Nanny Still
Nanny Elisabet Still McKinney (1926–2009). One of Finland's most celebrated glass designers, Nanny Still transformed Scandinavian glass with her fearless creativity, vibrant colours and remarkable technical skill. After graduating from the Institute of Industrial Arts in Helsinki in 1949, she won Riihimäen Lasi's Nordic design competition and immediately joined the factory's design team, where she remained for more than twenty-five years. Among the first women to establish a successful career in Finnish glass design, Still created both elegant everyday glassware and highly sculptural art glass, constantly pushing the possibilities of the material. Her best-known collections - including Grapponia, Harlekiini and Flindari - combined bold forms, rich colours and exceptional craftsmanship, while later works explored increasingly experimental sculptural techniques such as pâte de verre. After moving to Brussels in 1959, she continued designing internationally, particularly for Rosenthal in Germany, while maintaining her reputation as one of Finland's leading glass artists. Today, her work is admired worldwide for its originality, technical innovation and enduring influence on modern glass design.
(Nanny Still photo: Helsingin Sanomat)