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Vase SH142, Saara Hopea, Nuutajärvi

Vase SH142, Saara Hopea, Nuutajärvi

Regular price €100,00 EUR
Regular price Sale price €100,00 EUR
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SKU:816534

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The Details
Designer: Saara Hopea
Object: Vase
Model: SH142
Series: Standalone piece
Manufacturer: Nuutajärvi
Date of Manufacture: 1958

Material: Glass
Technique: Mold-blowing
Color: Amber
Width: 115 mm
Length: 65 mm 
Height: 110 mm 
Weight: 365 g
Condition: Excellent condition with minimal signs of wear.
Signed: Unsigned (As Issued)
Numbered: Unnumbered
Keyword: Finnish design.

The Story
Designed by Saara Hopea in 1958 for Nuutajärvi, Model SH 142 is a refined example of her distinctive approach to glass design. Its low oval form is remarkably simple, relying on carefully considered proportions rather than decoration to create its sculptural character. Hopea allowed the glass itself to become an essential part of the design. The restrained geometry gives colour and light a prominent role, while variations in glass thickness create subtle changes in transparency and depth. The result reflects her ability to transform a seemingly simple form into an expressive object through proportion, material and colour. Produced in several colour variations, SH 142 represents the clarity and confidence of Saara Hopea's late 1950s work and is highly appreciated by collectors of Finnish and Scandinavian design worldwide.

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Saara Hopea, サーラ・ホペア, 사라 호페아 - Royal SiO2

Saara Hopea

Saara Elisabet Hopea-Untracht (1925-1984). One of the leading figures of post-war Finnish design, Saara Hopea-Untracht brought exceptional clarity, balance and refinement to glass, jewellery and decorative arts. Trained as a furniture designer at the Central School of Industrial Arts in Helsinki, she began her career designing furniture and lighting before joining Kaj Franck at Nuutajärvi Glassworks in the early 1950s. Together they helped redefine Finnish glass through clean forms, functional beauty and a modern aesthetic inspired by Bauhaus principles. Hopea's celebrated Harlekiini stackable drinking glasses became an icon of Nordic modernism, while designs such as Pantteri, Flamingo and Bistro demonstrated her remarkable sense of proportion, colour and versatility. After moving to New York in 1960 with her husband, jewellery scholar Oppi Untracht, she explored enamel art and developed an innovative technique of firing multiple transparent enamel layers to create richly luminous surfaces. Returning to Finland in 1967, she continued designing jewellery, textiles and silverwork, producing bold geometric pieces that remain highly sought after today. Awarded silver medals at the Milan Triennale in 1954 and 1957 and the Finnish State Design Prize in 1982, Hopea is remembered as one of Finland's most influential multidisciplinary designers, whose timeless work continues to define the elegance of Scandinavian modernism.

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