Platter AB, Palermo, Dorrit von Fieandt, Arabia
Platter AB, Palermo, Dorrit von Fieandt, Arabia
The Details
Designer: Dorrit von Fieandt
Object: Platter
Model: AB
Series: Palermo
Manufacturer: Arabia
Period of Manufacture: 1987-1993
Material: Vitro-porcelain
Technique: Jiggered / Machine-formed, hand-painted
Color: Multicolored
Width: 333 mm
Length: 333 mm
Height: 45 mm
Weight: 1410 g
Condition: Excellent condition with minimal signs of wear.
Signed: "ARABIA FINLAND DF/MA".
Numbered: Unnumbered
Keyword: Substantial. Scandinavian design, Finnish ceramics.
The Story
Palermo was among Dorrit von Fieandt's first hand-decorated tableware designs for Arabia after she joined the company in 1986. Introduced in 1987, it brought a new hand-painted decoration to Ulla Procopé's Valencia tableware, produced by Arabia from 1987 to 1993. Rather than creating an entirely new tableware form, von Fieandt developed new decorations for existing Arabia shapes. This approach allowed familiar forms to be given a new character through colour and hand-painted ornament, while making the development of new tableware considerably more economical. Palermo became one of the earliest examples of this approach, with its richly coloured arrangement of grapes, berries and leaves bringing a distinctly botanical character to the Valencia form. The Palermo decoration was produced by hand painting, with the motif applied in varied colours across the cream-coloured surface. The result combines the established form of Ulla Procopé's Valencia with von Fieandt's expressive decoration, marking the beginning of a highly productive period in her work for Arabia.
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SKU:847924
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Dorrit von Fieandt
Dorrit Margareta von Fieandt (1927–2021) was one of the most distinctive ceramic artists of the Arabia Art Department, known for her expressive forms, richly painted surfaces and highly individual approach to industrial ceramics. Determined to pursue an artistic career despite her family’s wishes, she secretly enrolled at the Ateneum School of Drawing at the age of sixteen. She later continued her studies at the Institute of Industrial Arts in Helsinki, where she explored textiles, ceramics and graphic design under leading Finnish artists including Arttu Brummer and Birger Kaipiainen. Von Fieandt worked independently for much of her career, developing large-scale unique ceramic works whose organic forms and richly painted decorations became her signature. In 1986, after nearly four decades as an independent artist, she was invited to Arabia as a guest artist. What began as a planned six-month stay eventually lasted until 1998, opening a remarkable new chapter in her career. Working closely with the factory, she created hundreds of unique works, prototypes for Pro Arte series and designs for industrial production. Her approach to tableware was equally innovative. Rather than developing every new service from scratch, she proposed adapting existing forms with new decorations, dramatically reducing development costs while giving familiar shapes a new identity. Her designs for bowls, pitchers, terrines and plates brought together functional form and richly hand-painted imagery, demonstrating how artistic individuality could thrive within industrial production. Today, von Fieandt’s ceramics remain highly regarded by collectors for their individuality, painterly richness and remarkable ability to unite Finnish functionalism with the expressive freedom of the artist’s hand.
(Photo source: HAM Helsinki Art Museum)



