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Decorative bottle 1394, Aurinkopullo, 3/4, Aurinko, Helena Tynell, Riihimäen Lasi

Decorative bottle 1394, Aurinkopullo, 3/4, Aurinko, Helena Tynell, Riihimäen Lasi

Regular price €2.450,00 EUR
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SKU:810274

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The Details
Designer: Helena Tynell
Object: Decorative bottle / Art glass
Model: 1394, Aurinkopullo, 3/4
Series: Aurinko
Manufacturer: Riihimäen Lasi
Period of Manufacture: 1964-1974

Material: Glass
Technique: Mold-blowing
Color: Amber
Width: 170 mm
Length: 75 mm
Height: 230 mm 
Weight: 1090 g
Condition: Excellent condition with minimal signs of wear.
Signed: Unsigned (As Issued)
Numbered: Unnumbered

Keyword: Royal SiO2 Exclusive. Bottle size 3/4.

The Story
Designed by Helena Tynell in 1963 and introduced by Riihimäen Lasi in 1964, the Aurinko series, widely known as “Aurinkopullo” (“Sun Bottle”), is one of the most recognisable designs in Finnish glass. Its distinctive sun-inspired form, with a raised circular centre and radiating relief, gives the bottle its unmistakable identity and brings the glass to life as it catches the light. The series was closely connected to Finland as “the land of the midnight sun”, intended to carry the memory of Finland home with the traveller. The bottles were often placed on a windowsill or between window panes, where their sunray-like relief could catch the light and evoke the sun, the northern landscape, and the colours it represented. Produced in four sizes, 1/4, 2/4, 3/4 and 4/4, and in an exceptionally diverse range of colours, Aurinkopullo has become a distinctive and highly collectible chapter in the history of Finnish glass design. Each bottle carries not only the character of Helena Tynell’s design, but also a story of Finland and the midnight sun.

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Helena Tynell, ヘレナ・ティネル, 헬레나 티넬 - Royal SiO2

Helena Tynell

Hellin Helena Tynell (1918–2016). One of the great pioneers of Finnish glass design, Helena Tynell combined artistic curiosity with an exceptional understanding of industrial production, creating objects that brought both beauty and functionality into everyday life. After graduating from the Central School of Industrial Arts in Helsinki in 1943, she began her career at Arabia before joining Riihimäen Lasi in 1946, where she would create many of the factory's most celebrated designs. During her long career at Riihimäen Lasi, she developed her understanding of glass through close observation of the factory's skilled craftsmen, learning the possibilities and limits of the material through their work. While she designed elegant tableware, decanters and commissioned glassware for prestigious public interiors, her true passion lay in artistic experimentation, exploring the expressive possibilities of blown and cast glass. Her most iconic creation, the Aurinko series, widely known as “Aurinkopullo” (“Sun Bottle”), was produced between 1964 and 1974 and became one of Finland’s most beloved glass designs. Made in at least nineteen colours and four sizes, its radiant, sculptural form captured the optimism of the era while demonstrating Tynell's remarkable understanding of colour and light. Following the closure of Riihimäen Lasi's mouth-blown glass production in 1976, Tynell continued her career in Germany from 1976 to 1986 as a lighting-glass designer for Glashütte Limburg. Her earlier experience working with her husband Paavo Tynell at Taito Oy had given her an understanding of lighting and its technical requirements, while her years at Riihimäen Lasi had taught her the possibilities of glass as a material. At Limburg, she was therefore able to begin designing glass lighting immediately, working in an environment she described as dynamic, creative and uncompromising in its demands for craftsmanship and quality. In 1986, she was given permission to create works for an exhibition at the Finnish Glass Museum, an experience she later described as the final moment in her career when she could witness the enchanting birth of a glass object in the hot shop. Today, Tynell's work is admired for its warmth, technical excellence and timeless elegance, securing her place among the most influential figures in twentieth-century Scandinavian glass design.

(Photo source: Finnish Glass Museum)

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